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Thibaut Schilt - François Ozon (Contemporary Film Directors)

Or, if you are already a subscriber Sign in. Close drawer menu Financial Times International Edition. Search the FT Search. It was a maddening experience, and I found myself thinking through all the various things the secret could be. The nationalism expressed in the film feels timely with Donald Trump and Brexit. Was that your intention?

Best french director's working today

I wrote the script at the moment in France when we had all of the attacks, the Charlie Hebdo, the Bataclan theatre. And we were very shocked by this situation. I thought it would be interesting to hear again this song in the context of a war, in the context of nationalism. When I was working on the script I knew it was a film about , but there were a lot of echoes of today, with the rise of nationalism everywhere, in Europe and in America, too.

But I felt, and I feel today, that in France there is a lot of fear against the foreigner. There are many people who want to come through the borders.

"Lies can heal grief": François Ozon about Frantz

People are afraid of globalization, and of course they are people who are totally lost. We know about the humiliation of the Treaty of Versailles, and the fact that the Germans thought they should have won the war. Nazism is born from all the effects of the First World War.

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I had a feeling that speaking about this period would be a way to speak about today. And maybe to understand better what is happening to us. There is much to be learned from the past. It will then expand to several more cities, in typical art house rollout style. A full list of theaters is available here.

Director's Cut: Five Questions with François Ozon ('In the House') - MTV

Watch the trailer here. Skip to main content. By Rachel Hurn on March 27, I play with you. But do you see those comparisons now?


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